Academy Award-winning composer Ludwig Göransson returns to the Dolby Institute Podcast to discuss his latest collaboration with auteur filmmaker Christopher Nolan, with guest host Jon Burlingame. They discuss the composer’s process which, on this film, was anything but traditional, including why he composed over three hours of music before principal photography even began. “But then the real job begins when [Christopher Nolan] comes back and he goes into the edit bay and he sits there with [picture editor] Jennifer Lame and they start putting together the movie. And they put together the scenes. And they already put my music in those scenes, from what we’d already written. So when I see the first cut it already has all my music in it.” —Ludwig Göransson, Composer, “Oppenheimer” Be sure to check out Oppenheimer at a Dolby Cinema®. https://www.oppenheimermovie.com/ Please subscribe to The Dolby Institute Podcast wherever you get your podcasts: https://linktr.ee/dolbyinstitute To learn more, visit: https://www.dolby.com/institute/ Connect with Dolby:  Visit the Dolby WEBSITE: https://www.dolby.com  Like Dolby on FACEBOOK: https://www.facebook.com/Dolby/  Follow Dolby on TWITTER: https://twitter.com/Dolby  Follow Dolby on INSTAGRAM: https://www.instagram.com/dolbylabs/  Follow Dolby on LINKEDIN: https://www.linkedin.com/company/dolby-laboratories #LudwigGöransson #ChristopherNolan #JonBurlingame #FilmScore #Oppenheimer #DolbyCinema #AcademyAward #MusicComposition #MovieSoundtrack #Filmmaking #DolbyAtmos #MoviePodcast #FilmingTechniques #ImmersiveSound #BehindTheScenes #FilmIndustry #FilmDirecting #DolbyInstitutePodcast #Dolby #FilmProduction #NewRelease #FilmEditing