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0 views • Mar 24, 2022
A ‘sports bar with curves’, with an oddly family-friendly emphasis, the ‘breastaurant’ is a peculiar American phenomenon. In the expert hands of LFF alumni Bujalski (Funny Ha Ha, Computer Chess), one of the US indie scene’s most versatile filmmakers, it’s also a perfect venue through which to reveal the modern workplace: ruthless corporate exploitation, defiant workers’ solidarity, and messy gender and racial politics. But that’s never at the expense of insightful, even-handed characterisation and believably funny, touching situations. It’s nigh on impossible not to find these take-charge women the best company around, from Haley Lu Richardson and Dylan Gelula’s star employees to the ever-excellent Regina Hall’s compassionate, crisis-managing boss. ‘No drama,’ demands James Le Gros’ uptight, sexist owner. Naturally, Bujalski – and his girls – disrespectfully disagree. Explore the LFF programme: https://whatson.bfi.org.uk/lff/ Subscribe: http://bit.ly/subscribetotheBFI Watch more on BFI Player: http://player.bfi.org.uk/ Like us on Facebook: https://www.facebook.com/BritishFilmInstitute Follow us on Instagram: https://www.instagram.com/britishfilminstitute/ Follow us on Twitter: https://twitter.com/BFI
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Lisa Conroy is general manager at a highway-side 'sports bar with curves', Double Whammies. She nurtures and protects her employees fiercely - but over the course of one trying day, her optimism is battered from every direction. Double Whammies sells a big, weird American fantasy, but what happens when reality pokes a bunch of holes in it?

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